Somehow, I've never found the time or motivation to bring it all together, but there are now good reasons for having a go.įor a start, even a basic computer-based setup now makes it easy to edit and compile work for release via services like iTunes, or at least for an airing on MySpace. From my rather disparate recording activities, for example, I've accumulated a musical archive that spans at least six different formats, and that's not including the recordings I've made on review equipment. It's anyone's guess how many hours of recorded material have been abandoned in attics around the world as its creators switched to new and incompatible recording media, and never got around to copying their old work across. Take a peek into the attic of someone who's been recording for many years and you may well find a pile of old multitrack machines gathering dust, alongside some cobweb-covered quarter-inch reels of tape and stacks of Zip drives, compact cassettes and CD-R archives. We offer some advice on making the transfer. With modern DAWs, you can breathe life into the masterpieces you recorded long ago on outdated formats.
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